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ColourAdjust

The ColourAdjust layer is best suited to changing colour properties in a familiar set values. It is designed to control white balance and tint either through presets or discrete amounts.

All Effect layers take their source from other layer types - either content or generative - by use of an arrow. Linking two layers with an arrow defines the arrowed from layer as the source, and the arrowed to layer as the destination. If you have an arrow between a content layer and effect layer, it is said that the content layer is being ‘piped in’ to the effect layer. For more information on arrows, see the compositing layers topic.

To draw an arrow between two layers, hold down ALT and left-click & drag between the source and destination layer.

  1. Add a ColourAdjust layer to your track. For more information about adding layers see creating layers.
  2. Arrow from your media layer to the ColourAdjust layer so the compositing order looks something like the following image. ColourAdjust example Video layer piped into a layer on the timeline. For more information on arrowing, see compositing layers.
  3. Adjust the layer properties to suit your desired sequencing.

This property defines which White balance preset is used.

The following options are available.

  • None
  • Custom
  • Daylight
  • Shade
  • Cloudy
  • Tungsten
  • Florescent
  • Flash

Once you have selected a preset, you cannot keyframe Kelvin & Tint.

This property controls the Kelvin in degrees kelvin.

This property controls tint and allows you to fine-tune the green/magenta balance. The scale on the slider represents the actual Kelvin value, which is subject to slight variations from camera to camera.

This property controls contrast.

This property controls brightness.

This property controls saturation.

Levels is a tool in the ColourAdjust layer which can move and compress the brightness levels of an image histogram. It has the power to adjust brightness, contrast, and tonal range by specifying the location of complete black, complete white, and midtones in a histogram. Since every piece of content’s histogram is unique, there is no single way to adjust the levels for all your content. A proper understanding of how to adjust the levels of an image histogram will help you better represent tones in the final image.

Shadow defines the lowest brightness value in the source image. Any pixels at or below this value are pushed towards 0.0.

The midtone can be considered as a gamma adjustment. It adjusts the midtone response or overall curve between black and white, allowing to brighten or darken mid-level tones without heavily altering the extremes.

Highlight defines the highest brightness value in the source image. Any pixels at or above this value are pushed towards 1.0.

The colour level can be compressed using Output Low and Output High. For example, the colour range of [0.0, 1.0] will be compressed into [Output Low, Output High]. This shifts the entire colour range while minimising the loss of detail in the darkest and brightest regions.

  • Output Low sets how dark the darkest pixels in the result will be.
  • Output High sets how bright the brightest pixels in the result will be.

ColourAdjust example 2 Graph (left), Original (mid), With compress [0.2, 0.8] (right)

To prevent colour shift, clamping can be applied. As the name suggests, colours will be restricted within the range of [Output Low Clamp, Output High Clamp]. This means that colours within the clamp range will be preserved, while colours outside the range will be capped and lost.

ColourAdjust example 3 Graph (left), With compress [0.2, 0.8] (mid), With clamp [0.2, 0.8]